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Donovan’s practice of rigorous process- and game-based experimentation is explored in an essay by art historian and critic Suzanne Hudson
Claes Oldenburg / Coosje van Bruggen: The Music Room was published on the occasion of the 2005 exhibition at Pace in New York
who discuss the influence of Pelton and Santosh in their own practices
as well as drawn on paper
Huong Dodinh: Transcendence Books Donovan’s practice of rigorous process-Over the last six decades, Huong Dodinh has devoted her practice to three central tenetslight, density, and transparencythrough which she explores the fluidity of line, form, and negative space.
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