Of Course I'm Not Sorry - Tyra Tingleff (ChertLüdde) gallery seeks to trace the postcolonial

seeks to trace the postcolonial

Ruth Wolf-Rehfeldt has her heart in the right spot when it comes to political attitude and awareness of the great challenge of our time

special editions in 30 exemplars

have witnessed a resurgance of all manner of debates and initiatives that attend to the role that contemporary art plays or could play in the development of critical education and pegagoy

Of Course I'm Not Sorry - Tyra Tingleff (ChertLüdde) gallery seeks to trace the postcolonialTyra Tingleffs paintings twist and squeeze the abstract tendencies of the medium. The works never alight on any one reference point; their surfaces and semi tangible forms are ever restless, locked in an infinite loop, colors and forms seamlessly intertwining and redistributing into a vibrating, ever expanding universe in whose depth the gaze finds no orientation. Nebulous forms appear from nowhere, breaking through areas of raw, untouched canvas.