Rego Retold John Kerry He thought he knew how

He thought he knew how treacherous life could be

Vona Groarke

internal schism

while continuing to recognize that describing symptoms and establishing a diagnosis should command only a portion of the clinician's attention

Rego Retold John Kerry He thought he knew howAs Deryn Rees Jones writes in her foreword, one of the most striking elements of Paula Rego's art is her ability to hint at implied narratives, to dramatise the 'pause between feeling and action, between knowing and not knowing'. Into this pause, Owen Lowery inserts his own poetic responses to Rego's works. Drawing on the often disturbing themes of Rego's works power, violence, the body at its most vulnerable Lowery creates poems that both interpret