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Pygmalion's Power Nanci N. Smith from identifying academic and behavioralPushed to the height of its illusionistic powers during the first centuries of the Roman Empire, sculpture was largely abandoned with the ascendency of Christianity, as the apparent animation of the material image and practices associated with sculpture were considered both superstitious and idolatrous. In Pygmalion's Power, Thomas E. A. Dale argues that the reintroduction of stone sculpture after a hiatus of some seven hundred years arose with the