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gender discourse
professional and personal experience
Clay Shirky
Over the past two millennia
Choreographies of African Identities Jan Kohlhaase gender discourseChoreographies of African Identities traces interconnected interpretative frameworks around and about the National Ballet of Senegal. Using the metaphor of a dancing circle Castaldi's arguments cover the full spectrum of performance, from production to circulation and reception. Castaldi first situates the reader in a North American theater, focusing on the relationship between dancers and audiences as that between black performers and white
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