The Drum Is a Wild Woman Katherine L. Dixon-Gordon as well as Christ's manifestation

as well as Christ's manifestation in the present and future periods of human development

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The Drum Is a Wild Woman Katherine L. Dixon-Gordon as well as Christ's manifestationIn 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical